Decisions, Decisions, Decisions

It’s been what can only be described as a shameful amount of time since I’ve last written here. I’ve started a post so many times, only to bury the pages once more through inattentiveness or purposeful forgetting. 

I have fully graduated and emerged into the world as a post-graduation former postgraduate. The process had been happening for months, ever since August when I electronically handed in my dissertation with the typical anticlimax of the digital era. Since then, the months have passed in a dizzying whirl of unexpected and expected crises. I had imagined that my graduation would be a new level of torture, solidifying a year which was filled with more regrets and mistakes than perhaps any other year of my life. I expected to be plunged into daily, insurmountable ruminations of each and every one of my decisions and how very poorly they served me. Yet, thanks to some undeserved and unknown source of mercifulness, it went by easier than I had expected. When imagining the worst, one is often pleasantly surprised.

I created an indisputable narrative for my year. The story plays out as a tragedy, a form of endless descent. From the very first decision—perhaps the most flawed, to do a masters immediately after my undergrad—I set myself up for a series of choices that would lead to a months-long crisis in whose claws I still exist, sitting captured on the couch in the darkness of clouded Edinburgh daylight.

Most of my friends and I watch The Good Place, and recently many have been comparing me to the character Chidi. [If you don’t watch the show and want to watch it eventually, please skip this paragraph] Chidi ends up in the ‘bad place’ because he can never make a decision and that becomes the torture of all those around him. The most recent episode focused on Chidi and how his indecision stemmed from his belief that there was an answer to every question if only he thought hard enough about it. At first when my friends began comparing me to Chidi I thought it was a bit of a stretch, that they were just feeding into the modern phenomenon of trying to stretch everything far enough to circle back to the self. But the more I thought about it, the more I realised that I had indeed become Chidi this year. 

I feel crippled by indecision for nearly everything—from the big choices of life such as which country to live in, to the small choices of what to eat for lunch and what coat to wear when it rains. The other day, I realised what had disappeared from my life: intuition. As I thought more about it, I realised that as every major decision I had made this year turned out wrong, I subconsciously decided early on that to avoid making the same mistakes I needed to think far more about the decisions as I make them. I would spend hours contemplating what makeup to buy or what colour journal to get or which café to go to for a coffee. My old roots in American perfectionism from which I thought I had freed myself came clutching at my ankles and snaked their way up my body until I was trapped in the futile search for perfection. I thought that spending more time going over every aspect of a decision could only be beneficial; then, I would be that much more sure that I was making the right choice. Instead, I spent far too much of my mental energy agonizing over every possible choice, enveloping myself in a toxic haze of decision fatigue. 

Looking back, I remember some major instances in which my intuition cleared her voice and gave her opinion, speaking out before falling back asleep, exhausted by the effort. But I wholeheartedly ignored her, thinking that through logic and thorough analysis I could arrive at the best choice, even though I was far from logical. I ignored obvious signs that things were not what they should be, drew connecting lines between things that should never connect, navigated rumblings of negativity and regret with a belief that I could get through to deeper layers of people. 

For my own benefit and maybe some scrap of interest to others, let me make a list of the beads that strung the necklace of my current dissatisfaction, clasping around my neck with its frightening weight—choosing to do a masters (intuition: take time away from studying after burning myself out at durham; logic: further my career goals, stay in the uk, avoid crushing existential crises that would accompany being at home) – choosing this program (intuition: mainly silent, but a bit unsure about the caliber of the university; logic: a qualification that would boost my cv, a combination of academic and pragmatic learning, a city i love) – choosing communal isolation (intuition: screaming, screaming, feeling the heat of the fires over which hung the red flags and frantically tearing down the flags to dampen the flames; logic: as an introvert a few close relationships is all i need, i already have a strong group of friends from undergrad, sometimes sacrifices must be made, this will cause the pattern of durham to repeat ) – choosing my dissertation and most essay topics (intuition: something feels off (i stray from medieval into contemporary; logic: but this colour fascinates me, i will be able to string these fractured jumbled feelings into complex theories (something I only pulled off once before), this fragmentation is a sign of inherent intellectual complexity).

I could fill pages and pages with other petty decisions where my logic went against my intuition and resulted in gnawing, endless stores of dissatisfaction (choosing too complicated of a bullet journal theme, choosing the wrong blush colour, choosing bad quality tights) but we need not bore you or me any longer. These big decisions set me up for my slow and untidy unravelling. Perhaps they began even earlier, at the end of my third year in Durham, when I tried to turn in a writing piece that intuitively felt wrong but I thought I could fix it through extensive editing and rewriting. Reflecting on this makes me realise that perhaps this crippling indecision was also caused by university; there, we’re constantly taught to ignore emotions and feelings and think about things in a complex, logical, analytical way. Seeing things complexly has always been incredibly important to me, but now I think that I let myself drown in it. Yes, everything is inherently, unimaginably complex, but if you constantly dwell on it down to every little detail of complexity, you will cease to move forward.

That is perhaps what has happened to me in the past few months. I am getting carried by life. For the first time in years, I let myself stop making decisions and let life decide for me. Where to go after my lease ends? A friend needs someone to stay with, so I’ll stay with her. And after? The only place I had (and so generously) as an option. And when I realise that place is carved into a corner of hell’s craggy landscape? Move out. In my exhaustion that followed a depression-filled, dissertation-filled, love-filled summer, I subconsciously reduced my free will to staying motionless until forced to make the only possible decision that remained.

While this sounds like an inherently bad thing, I think for me it was necessary to help awaken my intuition. Though my intuition is still groggy and continues to nap most of the time, it’s been calling to me a bit more frequently lately, and I’m finally starting to have the sense to listen. 

I suppose it began to awaken in July, when I truly met him. Something felt so easy, so comfortable, so familiar yet so otherworldly and heady and intoxicating. He pushed something back into place within me, and my intuition began to shake off her furry coat which after her hibernation had become covered with thick layers of paralyzing ice. My depression this summer stemmed from an identity crisis caused by the loss of my old self—not her death, but simply that I could not find her, and I now know and can accept that I will never find her again. But with him, my soul or core or whatever one will call that tiny unchanging part of oneself began to speak again. Though she too had changed, I felt many of her choices to be familiar and right, and this was comforting. Reviving this part of myself to connect with his equivalent drastically decreased my indecision which had stemmed so fundamentally from suffocating myself with logic and inherently flawed choices.

In this above metaphor I described my ‘soul’ and my intuition as different creatures. But as I’m writing this, I realise that they are the same. When my intuition speaks, it speaks with my ‘soul’ inherently inside her. What is intuition if not some semblance of a true self reaching out and making itself known?

These days, I continue to let life carry me. The forces of the Visa have rendered me impotent, and I see little point in wearing myself out in a futile struggle against invisible beasts. Yet my intuition awakens more and more each day. Sometimes she even stays around for a few hours instead of a few minutes. I felt her most clearly recently when I was roped into going to an EDM club. Never had my intuition been so utterly confounded by the choices I had made to end up in a stone-lined cellar, standing in a silent, swaying circle beneath flashing red lights as a base line masquerading as music pounded into my ears and suffocated my throat. [yes, my intentions to please were there and for that i have no regrets, but you must understand the disjunction of self this caused]

When big decisions arise, I have subconsciously started listening to my intuition once more. When I was offered a job in a tiny Scottish village, my logic said to take it, as it would provide stability, money, and career furtherment. Yet my intuition awoke and roared against accepting a role which had felt off from the application to the interview to its aftermath. I could not ignore her. Turning down that role felt like a harsh slap in the face for the logical self I had built up this year, but such pain was necessary to decrease her power and feed more strength into my intuition. 

This post has unravelled more in the form of a journal entry than an exercise in good writing. But these thoughts need this medium for the sake of permanency, so when I mindlessly look over my blog in the ruminations of quiet depression, this post will remind me to reconsider the narratives in my head. I will end with one last loop of reflection.

As mentioned, I saw this past year or year and a half as a decline. Every decision and its repercussions dismantled another layer of myself until I had fallen down the dark hole of identity crisis, a type of crisis I had never experience up to this point. Since I waded into the ocean this July, one of my secret goals had been to find myself once more. This year was a mistake that needed to be rewritten, unwound, reframed into positivity or erased from memory altogether. My old self was gone and that was an inherently bad thing. 

But just yesterday I realised something so startlingly simple that I was startled I hadn’t considered it before. There is no way to write such a realisation without any traces of cheesiness, but I realised that I had to accept that I had changed, that I was ‘growing up’, that I was never that perfect version of myself in my final teen years and that there was no point in continuing to long to go back to that self. I thought at that point in my life I had achieved a special, idealistic, and optimistic wisdom that seemed beyond my peers and beyond what I had seen of adulthood, but various circumstances broke that idealism into crippling pessimism. 

Instead of clawing my way back towards that seemingly profound state, I need to accept what I always have needed to accept, the inevitability of change that affects everything from the most fundamental parts of the earth to the seemingly unchangeable core of myself. I can still listen to this core, this intuition, this soul, even if it changes. Because I find myself changing doesn’t mean I have completely lost my old self or soul, it means that it too has changed, however subtly and over however much time, and I have to recognise its new form.

The conclusions of these jumbled thoughts still seem jumbled. But now when I look into the reflecting pools and decisions float like bubbles to the surface, I will know that though I have changed, I can still tap into my intuition, and above all, that I should tap into my intuition. In a world where research into every life choice can become literally (or as close to literally as possible) endless thanks to the internet, listening to your intuition is the only way to step out of the haze of decision fatigue and the pursuit of perfection. Both wrong and seemingly wrong choices will always happen—they are inevitable, as I must, must accept—but listening to your intuition will help lessen past regrets, lessen present indecisive struggles, and lessen pessimism for a future in which you never learn that logic so often fails. 

My intuition still has a long way to go in waking up, but the end of my university career and the (hopeful) lessening of my logical self seem the perfect time to continue to gently awaken her, awaiting the day when her eyes glow once more with hope and idealism, the same core traits but now coloured with new, time-given shades.

 

Millennial Pink

Oh goodness.

I haven’t written here in ages, and I’ve just realised that it’s been exactly four weeks since I handed in my dissertation. I cannot believe that so much time has passed.

I’ve only just started reflecting again, looking inward. I lived the past four weeks (and past four months) almost purely in the moment, the future only entering my mind at random moments and rarely ever with anything resembling clarity. There was always something practical to attend to, someone to see, somewhere to go, someone to have a drink with. In the past few days, in stolen minutes woven into hours, I’ve begun to tentatively swim amongst the unknowable depths of my accumulated thoughts and feelings regarding this year.

Today was monumental in this new age of self-reflection: it became clear to me that I have changed fundamentally. So much has changed in my life in the past few months. I can begin to justify the difficulties I’ve muddled through this year, or at least not regret them as much as I did.

There is one fundamental change that fills me to the tips of my fingers. Why would such a thing happen to me? Into a familiar darkness Fate threw an unfamiliar light. Gazing into a reflective pool, I was catapulted back to my previous self. So much had been rebuilt within me, but my core passions and values resurfaced and thickened. 

I don’t want to put too much emphasis on it, because it scares me. I always shunned all the whispers and shouts and words and images that piled in my ears over the decades, declaring it to be something close to the epitome of human existence. That would be absurd. But how, how can I now explain the new colour of my veins, the differences in my blood?

This bleeds into the rest of my life. It shades my year differently. I see the same things but their substance is different—the facts remain but the effects shift. I must think more, write more. I need to know this new self, define my edges and prevent the dissolving of boundaries.

Music is beginning to affect me again. I’m starting to want a bit more heavy weight (still, only 1kg at most) in my intellectual labour. I can write a few sentences now and again, admittedly still with the help of strong coffee. It appears I’m coming back to life in the other frames of existence that were frozen in time from the start of my postgraduate degree.

Lasagna, a familiar scent, otherworldly blue light behind pale curtains, a footprint in a footprint, the cuckoo’s nest, medieval German calligraphy, the unlocked garden…which self are you remembering? 

I dip in and out of consciousness, remaining in my dream world. Or is it the reverse? It certainly feels as though I’ve coated myself in rose-tinted glass, let it melt into my skin. I am such rosiness. Perhaps that’s why I’ve suddenly taking a liking for millennial pink. My new self makes intriguing choices, like all my selves.

There is nowhere to end this, for there was no beginning and no middle. I let my new blood flow through the proverbial pen and wash over the proverbial page. I’ll find my way back here soon, to cut deeper, and sort through more of my thoughts about this year. [Oh, do I have thoughts on academia.] Until then I look in the mirror and see the figure behind me, within me, in front of me. Is that me, or someone else?

Library Back: A Haiku Trilogy

I am back once more with some reflections on dissertation writing. Truly, this is some of my most profound work. I hope these sparse lines offer you the comfort of commiseration if you are also suffering from such misery. I am no doctor, but I am sure that the infamous ‘Library Back’ is one of the most damaging health phenomenons currently facing humanity.

* * *

I.

The price of long days

Paid through this pain in my spine

Will I ever move?

 

II.

My dissertation

Surrounds my body in chains

I cannot escape

 

III.

Motionless I sit

Typing nothing, everything

My back is a mess

Notes on Dissertation Writing

I’ve gone insane. It happened very quickly. It began after I passed the 10th hour in which I’ve been at the library. I can no longer feel my body.

Ha!

I’ve spent too much time with myself today. But in a good way? It’s as though the veil has been pierced and I can see the things I used to see once more. What caused the puncture? 

Waves of productivity swept me away in the afternoon, with stronger force than I’ve seen in a long time. And then, and then…what was it? I was weak and hungry feeling. But then, I had an easy peeler. A small one, very round. It must have been that.

Weak no longer, my body was gone. All my bones they are—oh, you’ve said that already, better not repeat, restart the record, please! Music burns each and every bit of my no-skin. My hands shake.

The seagulls soar past the window, flying aggressively towards it at random intervals. They do not aid the absence of my sanity.

Time, time, time, it presses harder. Rewind, unwind, you have to detach. You have to go, far better things await on the outside [but how will I escape?]. 

The library stays with me. Libraries stay with me, though they’ve left my future. Bookstores, books as objects, and real, real people to talk to. That is in my future.

Lately I have been happy. Thank the goddess! This tempers my insanity, colours it in glorious brilliance, mirrors the glaring sun that peeks through a pinhole in the clouds.

Time to go, time to go. Leave the library. Find sanity again, at some point. Follow the seagulls.

Identity

I’ve been quiet for the past few weeks, in all realms of my life—on this blog, with friends, with myself. I  don’t really know why. Normally so inclined to self-reflection, things surfaced in my life that merited closer inspection, but I drew them out of the waters in a dream-like state and placed them back on the tide, watched them float away.

I’m in a process of transformation, that is certain. But I cannot discern at which stage I am. I’ve been shedding my identity for months now in a cruel perversion of last year’s intention to let go. I never let go, but the strength of intangible forces pulled off layer after layer, and I did not fight back. At some point, I was nothing. My past was ill-remembered, my reasons for being discarded, my future a hellscape that had yet to settle on its particular form of torture. Every trait that I had pocketed and guarded with quiet passion over the long years of my short life was gone. I was nothing.

Am I now nothing? Or have I begun to piece myself back together? I’ve definitely taken a large step: I’ve been able to identify my warped perspective. This happens to me periodically, and I resent it beyond expression. I no longer view reality in the way that everyone around me sees it. One action or word can set off a catastrophic chain of events within, ending with the rare feeling of utter certainty that my dark, pessimistic view is precisely how things are. In previous times my anxiety and depression would find painful forms to take—hypochondria, compulsive behaviours, fears for family, worries about the future—but now they found their most vulnerable target yet: my very sense of self.

I can map the process of self-destruction (self-consumption) quite clearly: choosing what I did for my masters, a supermediocre mark on an assignment that was deeply important to me, the silent strength-sapping state of city life, falling off my meticulously built academic pedestal, constantly being confronted with strong core values and perspectives that so drastically contrast my own…

Amidst those unfortunate tracings lies one issue that I have now rerouted, but perhaps it was one of the strongest factors of them all. How easy, how horribly easy it was to see shades of my worst fears confirmed in another and to just give up to them wholly: they were right, and the most fundamental fears of my being were wretchedly true.

My desire to sacrifice myself to anyone or anything, no matter the cost, can easily multiply until it is all-encompasing. With that one sacrifice, I threw myself onto each and every burning pyre in sight. I fanned the flames where there were none—they were only ever found within.

One conversation lifted the veil from in front of my eyes. What a horrid colour that veil was, the colour I was forced to see everything through. And it was all a construction! A misperception! A lie! Angry, so, so angry, at myself and at the fragmentation.

I’ve poured out what remains of my soul into this document, and things have grown clearer. Build certainty, I build certainty that I am in the rising stage of the transformation. Discard my past sorrows, my past self-flagellation that took form in each and every second of every day. Look—what has plagued you the past many months, those things have shifted with startling speed in the last couple of weeks. The core of my being, the reasons for as long as I can remember I have remained living, has two parts: enjoying fulfilling social relationships, and working towards creating positive change for others through writing. The former has been restored with tentative strength. Even the sense of hopelessness that previously pervaded the latter has begun to abate.

I am finding a path to a sustainable confidence. So many people my age, especially in America, seem to possess such strong, black and white views and such an unshakeable self-confidence that lies beneath any surface insecurities; I have always tried to construct myself in a wholly different way. But I’d gone too far in the opposite direction. I’d kept too closely in mind the sentiment that one should remain soft in a world that makes it so easy to be hard.

And I want to be soft, but now I know, I have to have some hardness, some inner sanctuary of strength and certainty in myself. Perhaps the cycle of the three horrible deceptions (why is it that everything in my life always comes in threes?), rather than break me down, has taught me that I should have some certainty. I need to remember how I used to feel about myself, in Spain and in Durham, and remember that that’s how almost every person in my life still sees me. How could I have strayed so far from that?

I can have confidence in myself without being self-centered and disavowing truth. I have another harder layer of my self now, but is that necessarily a bad thing? As I know with Catherine, one needs to have some element of certainty to create change. I need to believe in myself. Even if these certainties haven’t yet fully taken root within me, I must constantly write them and reflect upon them so they grow.

These reflections bring to mind a song from my beloved Poldark series:

For what e’er drifts from one place

Is with the tide to another brought

And there’s naught lost beyond recall

Which cannot be found

If sought

And seek I shall.

gap var ginnunga

a yawning gap

drawn back from the past

tugged along the threads of fate

i place this between us

 

green was the ground

when we first met

no –

i remember yet

how my body shuddered

at the first sight

 

the stars knew not

what time would weave

they were looking elsewhere

distracted by their crossing

 

through rivers wild

treachery waded

and i sat silent

tying my tongue

 

soul he had not

empty as the first men

his emptiness lashed me

breaking the skin

 

the terror of the gods

came through him

blazing, rendered subtle

moulded by the seas of time

pain did not suffer

with the onslaught of the sands

 

but the ancient limbs

shiver on high

they have felt the change

blowing northward

summoning resistance

spreading from their roots to mine

 

the fetters burst

out i emerge

is this what it feels like

to be beyond?

 

much do i know

now that i have been freed

my keeper no longer

though you kept trying

 

the mighty past

loses its might

the delicate bonds that connect me

bind me to the other gods

i gnaw through

watch them fall to the earth

 

would you know yet more?

all men must flee

slain by the serpent

fearless you will sink

– yet your fearlessness does not serve you

anymore

 

the earth rises anew

all green

 

in wondrous beauty

i stand mid the grass

all ills grow better

within

 

the serpent bright

demands her price

cries how i must now sink

but all power lies with me

 

i grasp the sword

tread the whale-road

slice open the waters

the serpent is slain

 

beside the yawning gap

i return

there in happiness

i shall ever dwell

Open

I must write, for I have been cut open.

How easily it was done, when it sliced through me like butter left out in the humid spring evening. Weeks of groundwork had been laid, chipping, chipping away at my outer shell until it had no choice but to show its fault lines. There was a gap—a gap! I had been solid for far too long, but tonight did it, the knife came out and in it dove, gliding with no resistance through the unknown phantasmal solids and liquids and bones and spirits I hold within.

In this moment, I am open.

I look down from above and there are my two halves, all soft and honeyed. It can all rush in—yes, it—that subtlety, the subtlety I so miss and crave. It went away from me for some time, and I know not why. The city? The era? The strong certainties of other souls?

No, I am open. Goodbye brute strength, for I am soft. There is a power in it, far different from any kind of assurance that can be marched beneath. My banners, put up by others, burn and disintegrate into sweet ash over my openness.

So we all raise a standard

To which the wise and honest soul may repair

To which a hunter

A hundred years from now, may look and despair

But I do not look and despair—I look and take unearthly, overwhelming delight. Everything is achingly alive, the energy of each being and thing that I can see rises to the surface and swims eagerly just beneath the sugar-glass containing it.

The clouds bear a golden light that cleaves through the modernity of Edinburgh. Into the gaps rise the church spires, Arthur’s seat, each blade of grass standing together on the flat expanse of the Meadows . . .

The smell of it all is unbearably heady. I, who cloak myself in Winter, am cut down by the sudden sublime onslaught of spring. How new the scent is, the new flowers and new leaves and new earth.

Rain patters down mischievously. It mingles with the golden light and the dark grey clouds and the pale northern sky and such a palette buries into me with breathtaking power for truly, how can it not.

I smile as a raindrop hits the very tip of my nose; a kiss from the skies, perfectly placed.

I am in love with it all, ah, how could I have forgotten? This is what I live for, these experiences, this subtle tasting of the ethereal blood of the earth, drawn for my lips from some unknown source.

They will not close me again. Subtlety, subtlety, subtlety, envelop me in your indistinguishable colours. Together we shall shun the black and the white, the never-ending screams of the internet era that howl from some bottomless pit, that declare they know what is best and they like and dislike this and that and oh, how they fly into an outrage at the state of their surroundings.

No good can come of it, you know that. Rise, gentle soul, rise within and find me once more. You have been buried beneath piles of heavy soil, weakened by some poison that I mistakenly took. Could there have remained a few sour drops of duplicity beneath my tongue?

My softness looks beyond that, looks within at the open expanses, where the rain has washed away such mercurial attempts at my very life. I am clean, I am new and I am old—someone somewhere pulls an invisible thread and my selves that had once fragmented come careening back together into one shockingly familiar whole.

The subtlety, the softness, the ability to widen the perspective and see all that truly matters in the long waking hours of the earth. I clutch these things near to me, frantic and elated and delirious and euphoric, for I have been opened once more.

Unanswered Questions

After these three long weeks, I have returned to the world of blogging. How can I begin to fill the gap that this period of silence has created? So many days with their innumerable thoughts in tow have flooded past.

What presses to the front of my mind at this moment and at many moments is the future. It entices and terrifies in equal measure, weaving a vivid tapestry of horrid fantasies and pleasant daydreams.

[oh, what it is to write again, with this blank page before me and my hesitant fingers]

I am confronted with something that only has one name: disappointment. This disappointment is not shrouded in the haze of my future, but is unfortunately locked in the present.

It is not that this disappointment really distresses me—I accept it at this point. These past weeks and the preceding months have taught me that my mistake was vastly exaggerated within my own mind. The mistake (choosing the wrong option) proved a false dichotomy: what I should have done is disregard the choice all together and forge a different path. But what’s done is done, and my disappointment is embroidered into the fabric of my past nine months. Its thread is ambiguously between brown and grey, a middling colour of rising mediocrity and falling acceptance. The colour of present weaves into the future, as it always does. It will not be stopped.

My mind’s eye focuses with suppressed anxiety (but look closely, you will see the veins of frenzy) upon the images of the scales that Libra holds (Libra, an amalgamation of all the Libras in my life, multifaceted but faceless all the same). Every day, every minute, a new possibility gets tossed onto one side of the scale. The reckoning forges on, the balance scarcely uneven one day, even the next, completely thrown off the day after.

All I know now is that I am sick of it, this object that causes my disappointment: Academia, or my specific breed of it. It drips with my disdain, palpably—once loved and looked to with expectant hope and security, now spurned and loathed. What have I learned these years, following along the line on which the present leads me? Near to nothing that will contribute to what I truly want to learn in life. My creativity is stifled, my writer’s voice choked, my beliefs fluttering and flimsy, able to be argued against upon the most tentative sensation of perversity.

Yet it could not have been any other way, at least at first. The conventions that they have built in such recent swathes of past prove inescapable. And they are necessary, to some extent; I cannot regret my entire university career. The cathedral sustained me. From a purely intellectual level, yes, I can think deeply now, but about such meaningless topics. What do I really know? [nothing, of course]

And look, look with me upon that haven of peace and security, that heaven containing my ideal career. I worship at the Book. It sustains me, uplifts me. And there it is, in seclusion, it is there infinitely, all for me to pretend to possess. If only the skies would crack and the unknowable force would come down to earth just for a moment and tell me: what is the most important thing to seek out in life?

On the one hand: my ideal job, the opportunity to fulfil my artistic passions, the ability to write and read and sustain my intellectual and change-driving needs. On the other: the land, the friends, the possibility of that hidden Love, the history—oh, the history! How can I even consider such a thing, to leave it all behind, the cathedrals and the castles and the monasteries and the gravestones and the earth beneath it all, breathing still despite the rain of the centuries.

Enter, Realism, present me with my typical next thought: is it even possible for me to stay with such history? Should I enslave myself to some unknown company in order to touch that ancient stone, in order to gasp in the English spring and the Scottish winter?

If I must leave, I must take a certain strength with me. It is true that the past four years, rather than build me within, have torn me down; every minutia of what I considered a virtue has dissolved under the brunt force of mediocrity. I see such subtle breakings only worsening in the future when I look into my crystal ball, into the surface of my avalonian lake. The Global World feeds the competitive nature of things, and careens forward on a path of increasing intensity, a runaway train that cannot be stopped until it runs over a cliff.

The bookstore is away from all that. There, I am not mediocre; there, I can thrive. But I cannot know whether it is my uprootedness that feeds my mediocrity, or whether it is simply something that comes with age. It must be a mixture of both, though I have flown far enough from my surroundings to see that the comforts which nourish those who grew with me nourish me no longer. I am beyond, in between, unsettled and in need of settling.

I will play my hand. It is the only thing that can be done. I rail, rail against so much of Life, and almost all of it is to no avail.

Is my own mediocrity only pushing me to finally pick up my scissors and cut through the fabric? I’ve seen new threads, they lie just outside my reach, I could reset the loom, begin the tapestry once more. What I want from Life. What do I want from Life?

I’ve lost faith in my old Epiphanies—they keep to themselves now—but an intoxicatingly subtle experience in the South has reopened my eyes to the spiritual. Goddess, peek through the clouds for a moment and answer me with your eyes: what is the right choice?

 

Purity

I believe in innocence little darlin’, start again

I believe in everyone

I believe, regardless,

I believe in everyone

– Joanna Newsom, ’81

 

Last week it was brought to my attention by someone who often prods at my mind that I was a medieval monk in a past life.

In truth I volunteered this metaphor, but their prompting drew the image from the depths of my psyche. Despite my visual anonymity on this platform, rest assured that I do not have a tonsure. I realised that I surely must have been a medieval monk in a past life because of the running list of sins that I constantly compose within.

They reach very far back indeed. I have never been able to conceptualise my age, but from my rough calculations they begin when I was six, maybe seven. I remember them all so clearly, each and every sin—not Christian sins, but sins against my own moral code. The list is so deeply engraved into my personal worldview that it may be the only thing in my life to withstand the unending onslaught of time.

What I did this morning is unknown to me. The last nice thing someone said to me, equally forgotten. The last kind act I did, now foreign. When I look back to the confines of my own small life—minuscule in the long brushstrokes of history—all I see are the Sins, not seven of them, no, no, there are far more.

The mind is a book blown constantly by the wind, the pages turning with no rhythm nor divine reason. Yet when I examine the text how perfectly can I see all those images and piercing words, the memories of such horrors that came from someone within my own self.

I am fascinated with the idea of purity. Not sexual purity—no, that bores me. I like to turn within my mind the idea of moral purity, something I can never achieve. Gone, gone is my innocence—all my bones, they are gone gone gone, take my bones I don’t need none!—that pure, saturated, glowing, unidentifiable colour is now covered in stains that will only grow larger with time until they are all-encompassing and devour me from the inside out.

You’re too harsh on yourself, the other mind said, who looks into my own. Harsh? I have no conception of such a thing, I am what I am, flawed fundamentally. Somewhere in a distant land of objectivity there is a voice that tells me I’ve made nothing but minor human sins, inherent to the condition of being alive, but they speak to my head and not to my heart and my head is turned in the other direction, ears closed.

How cruel is purity—how I crave it and how I can never assume it, can never draw it over me like a healing cloak, erasing the unwanted mistakes of my past. My past—is that really me? Every second, every millisecond, a new self is born, and so the selves that have sinned are long gone, you may say. Yet the Sin, the intangible archetype that swims invisible through the air, is everywhere, fractured and omnipresent in every moment and every reincarnation of the self. There is no escaping it.

And so I was and am a medieval monk. I read through my sins, the list grows longer. I cry with repentance while I smite myself, my own god. All the while more sins bloom.

I Take It All In

come to me

for i am like black paint

blend drops of other colours into me

and you shall see no difference

 

i take it all in

that which lies closest to me

the dull serifs of the limited letters

torment me no longer

follow the lights and you will understand

what i now see

i had followed the lights for far too long

 

i close my eyes and breathe

the infinite scalloping of the skin

touches the earth and connects

with what lies beyond time

there is strength in knowing —

build certainty

 

i summon to me

all who lie deep in the earth

constricted by the past

lie no longer

rise

surround me in a swarm

spirits and bones intermingle

a school of disembodied fish

glittering silver in the northern sun

hear the music swell around us

as we turn to face you

 

silence has sealed my revelations

i keep them within

but listen

i fear myself no longer

i turn the sands

dropped by the hourglass

months running — now run out

into glass

 

i take it all in

and i emerge

strengthened by the poison

i spit out when you look away

i can hide much

under my tongue

 

do you see the pattern now

or would you know yet more?

my truth has taken your eye

but you can still see

the ash splinter

 

the lightning sparks in my veins

runs through me

electricity burning red within

it causes the glass to shatter

i need it no longer —

there is nothing to see through

when all is clear before me

 

my friends from the earth

pale imaginings grow thick like tree trunks

with the rise of the bagpipes

i feel them

all around me

 

they gather with the mountains and the brambles

the ether and the wood

— such a vision is eternal

echoed in the sublime

 

ha! — yes i laugh at it all now

for time has shown me

the sacrifices i’ve made

bleed out into splendour

 

my silence is the price

the goddess has demanded

to maintain the balance of things

 

when i look at you

know what lies bursting

just beneath the surface

avert the eye

before the ice cracks

 

i take it all in

the earth is with me

 

hand in hand with time i rise

and look to the edge of the sea

in that thin line

the eyelash of the earth

lies my vindication